Crowdfunding is a digital means of raising money for legal purposes for both profit and non-profit organizations. In crowdfunding funds provided by individuals is accumulated for the stated purposes and then the aggerated amount is distributed through online platforms to a range of actors and institutions. In recent times, crowdfunding is contributing largely in the United Kingdom’s diverse and dynamic economy. Crowdfunding is being done in numerous forms now ranges from donations to business loans and the issue of equities by start-up enterprises, and recent rapid growth is concentrated in the financial market circuits of crowdfunding.

This article analyzes the changing composition of the crowdfunding economy in the United Kingdom as a process of financial marketization and compares the presented model with other countries in the European Union.

Culture is economically significant but not only of financial value. It includes both world class citycenter institutions and access to excellent cultural opportunities in local communities whether these are local authority facilities and services (venues, museums, libraries, archives, festivals and neighborhood arts), charitable organizations and profit-making companies.

Bristol is an important cultural and creative city, but the potential remains to be much more: endeavoring to be culturally ambitious. This is as much about quality of life for our people here as it is about attracting tourists and companies. In this article, the cultural aspect of Bristol with respect to economy is analyzed and the related shortcoming of cultural policy is scrutinized.

Celebrity and glamour have major economic impacts on culture and economy both through their integration into localized systems of accumulated economies and their effects on the marketing and commercialization of culturally inflected outputs, producing beneficial geographic responsibilities for the individuals and various societal-sections that maintain the celebrity ecosystem. We use celebrity to enhance our lives, whether in the form of fandom - of admiring and gaining pleasure from the talents, styles, and unique qualities of famous individuals, or from just ‘loving to hate’ particular figures.

In this paper, it is endeavored to study the urban behavior, cultural aspect and the economic impact of charisma offered by celebrity and glamour demographically.

The paper put forth an argument that treating education as a commodity does not consider the intellectually challenging aspect of education. Instead, it converts knowledge into an aspect that can be quantified and is used only for employment creation. This occurs as universities, in different ways and subject to greater or lesser financial, administrative, and ideological pressures, act less like centers of disinterested education and research and more like economic enterprises that aim to maximize their revenues and/or advance the economic competitiveness of the spaces in which they operate. Further, the increasing trend toward academic capitalism and profit-oriented entrepreneurial practices in the fields of education and research, specifically in London will also be examined.

The weak conceptualization of the nature of the relationship between the creative economy and the city, as well as a lack of clarity about what the creative economy is, has subverted debates about this important topic.

In this study, it will be attempted to comprehend the concept of the creative economy, while considering what we can learn about the impacts of the financial crisis on the creative economy and the city, and additionally to reflect upon what this might indicate about the changing and perhaps transformed relationship between the creative economy and the city in the last quarter century.